SOUND ART
Participants
Alexey Grachev (Russia)
Anastasia Koroleva (Russia)
Tine Surel Lange (Norway)
Anne-Sarah Le Meur (France)
Victor Pedersen (Norway)
Alex Pleninger (Russia)
Boris Shershenkov (Russia)
Dmitry Shishov (Russia)
Andrey Strokov (Russia)
Hans Tammen (USA)
Curators
Sergey Komarov (Russia)
Karolin Tampere (NNKS, Norway)
Venues
Luda Gallery, Telezhnaya st. 37
Annenkirche, Kirochnaya st. 8b
Saint Petersburg Stieglitz State Academy of Art and Design, Solyanoy lane, 13-15
Free admission
Cosmos and chaos are kindred elements for sound-art, partly because the material itself is bodiless. In the process of sound creation – whether it is an object, installation or performance – there is movement from chaos into cosmos and back again. In some sense, this transition itself is the source of sound: there will be several works at the festival using charged particle detectors, which create a composition as they randomly go off. There will also be an installation that only makes sounds when you move: if you stop, the meaning is lost, and the ordered information merges into white noise. Another striking example of transition is a performance where all surrounding radio fields – a high-frequency cacophony of the unheard and unseen – are sounded by the performer, structured into an improvised composition with technique and movements.
Sergei Komarov, curator of the sound art program
Alexey Grachev, Aleksandr Groznykh, Andrew Strokov, Dmitry Shishov, Anton Shchegolev
Consequences














Anastasia Koroleva
Interspecies communication


Anastasia Koroleva, Alex Pleninger
Gravis












Anne-Sarah Le Meur and Kumiko Omura
Rouillir












Boris Shershenkov
Etheroforming: Broadcast






Hans Tammen
Manifolds











